Did Sweet Home Alabama Steal Werewolves of London?

By Robert Palmer

If you’re a fan of classic rock, you’ve probably heard both “Sweet Home Alabama” by Lynyrd Skynyrd and “Werewolves of London” by Warren Zevon. These two songs are undeniably iconic, but there has been some controversy over the years regarding their similarities. Specifically, some people have accused “Sweet Home Alabama” of stealing from “Werewolves of London.”

So, did this actually happen? Let’s take a closer look.

First, it’s important to note that both songs were released in 1978. “Werewolves of London” came out in March of that year, while “Sweet Home Alabama” was released in June. This means that it’s entirely possible that the two songwriters – Warren Zevon and Ronnie Van Zant and Gary Rossington of Lynyrd Skynyrd – could have been working on their respective songs around the same time.

Now, let’s examine the specific elements of each song that have caused controversy. The main point of contention is the opening riff in “Sweet Home Alabama,” which features a distinctive pattern of three chords: D-C-G. This riff is repeated throughout the song and has become one of the most recognizable guitar parts in rock music.

On the other hand, “Werewolves of London” also has a recognizable opening riff – one that features a similar chord progression: G-D-C. However, this riff is only played once at the beginning of the song before transitioning into something else entirely.

So, does this mean that Lynyrd Skynyrd stole from Warren Zevon? Not necessarily.

In fact, it’s possible that both bands were drawing inspiration from a common source: Bo Diddley. Diddley was a blues musician who frequently used similar chord progressions in his songs – including ones with a pattern similar to both “Sweet Home Alabama” and “Werewolves of London.”

Furthermore, while the opening riffs of the two songs may sound similar, they are not identical. There are subtle differences in the rhythm and melody that set them apart.

In conclusion, while there may be some similarities between “Sweet Home Alabama” and “Werewolves of London,” it’s unlikely that one song was a direct copy of the other. Both songs draw from a long tradition of blues and rock music, and while they may share some elements, they are ultimately distinct compositions. So, let’s enjoy them both for what they are – classic rock songs that have stood the test of time.

Conclusion

In conclusion, it’s clear that there has been some controversy over whether “Sweet Home Alabama” stole from “Werewolves of London.” However, upon closer examination, it seems unlikely that this is the case.

While both songs feature similar chord progressions and opening riffs, they are ultimately distinct compositions with their own unique qualities. So let’s continue to enjoy these classic rock tunes for years to come!