How Did They Do the Transformation an American Werewolf in London?

By Robert Palmer

How Did They Do the Transformation in “An American Werewolf in London”?

“An American Werewolf in London” is a classic horror film known for its groundbreaking special effects, particularly the transformation scene where David, the main character, morphs into a werewolf. Directed by John Landis and released in 1981, this film revolutionized the genre with its realistic and visually stunning transformation sequence.

In this article, we will delve into how they achieved this remarkable effect.

The Makeup Team

The transformation scene was the brainchild of makeup artist Rick Baker. Baker, along with his team, worked tirelessly to bring this iconic scene to life.

Their exceptional craftsmanship and attention to detail made it possible to create a metamorphosis that still impresses audiences today.

Step-by-Step Process

1. Sculpting: The first step was to create a detailed sculpture of David’s face and body in both human and werewolf forms. This involved capturing every nuance of the actor’s features and ensuring that the werewolf design would seamlessly blend with his natural appearance.

2. Prosthetics: Once the sculptures were complete, Baker used them as a basis for creating prosthetic pieces that would be applied to actor David Naughton’s face and hands during filming. These prosthetics were crafted from foam latex, which allowed for realistic movement and texture.

3. Animatronics: To further enhance the transformation effect, animatronics were employed. Mechanical components were built into the prosthetics to enable subtle movements such as facial contortions and elongation of limbs.

The Transformation Sequence

The actual transformation sequence was shot using a combination of practical effects and stop-motion animation. This hybrid approach added depth and a sense of realism to the scene.

  • Practical Effects: For the initial stages of the transformation, Baker’s team used a series of quick-cut edits and prosthetic applications to create the illusion of David’s body changing shape. The use of air bladders under the actor’s skin allowed for bulging muscles and shifting bone structures.
  • Stop-Motion Animation: To capture the more extreme physical changes, stop-motion animation was employed.

    The animators painstakingly photographed each frame, making incremental adjustments to the werewolf prosthetics between shots. This technique brought an otherworldly quality to the transformation as bones cracked, fur sprouted, and limbs elongated.

The Legacy

“An American Werewolf in London” set a new standard for special effects in horror films. Rick Baker’s revolutionary work earned him an Academy Award for Best Makeup – the first ever awarded in that category.

His techniques and creativity inspired future generations of filmmakers and artists, leaving an indelible mark on the industry.

In conclusion, “An American Werewolf in London” achieved its stunning transformation effect through a combination of expert makeup artistry, prosthetics, animatronics, practical effects, and stop-motion animation. This innovative approach not only terrified audiences but also pushed the boundaries of what could be accomplished on screen.

It remains a testament to the power and artistry of practical effects in filmmaking.