Last Tango in Paris is a 1972 erotic drama film directed by Bernardo Bertolucci, starring Marlon Brando and Maria Schneider. It is a controversial film that has sparked debates about its artistic merit and the ethics of its content. In this article, we will explore different perspectives on whether Last Tango in Paris is a good movie.
Storyline
The movie follows a middle-aged American named Paul (Marlon Brando) who begins a sexual relationship with a young French woman named Jeanne (Maria Schneider) in an empty apartment in Paris. The two strangers engage in anonymous, uninhibited sex without exchanging names or personal details.
Performances
Marlon Brando delivers an exceptional performance as Paul, portraying him as a complex character struggling with grief and loneliness. Maria Schneider’s portrayal of Jeanne is nuanced and believable, but some critics argue that her character is underdeveloped.
Cinematography
The film’s cinematography by Vittorio Storaro is one of its strongest aspects. The use of natural lighting and shadows creates an intimate atmosphere that enhances the emotional depth of the story.
Controversy
The film’s explicit sexual content and use of rape as a plot point have drawn criticism from many viewers and critics. Some argue that Last Tango in Paris crosses the line between art and exploitation, while others defend it as an important work of cinematic art.
The Case for Last Tango in Paris as Art
Supporters of the film argue that it explores complex themes such as grief, loneliness, sexuality, and identity through powerful performances and cinematography. They also point out that Last Tango in Paris was made during a time when filmmakers were pushing boundaries with explicit content to challenge social norms.
The Case Against Last Tango in Paris
Critics of the film argue that its use of rape as a plot device is morally reprehensible and that the explicit sexual content is gratuitous and exploitative. They also argue that the film’s treatment of women is problematic, with female characters reduced to objects of male desire.
Conclusion
Whether or not Last Tango in Paris is a good movie ultimately depends on one’s personal values and beliefs about art. While it has been praised for its performances and cinematography, it has also been criticized for its controversial content. As with any work of art, viewers must decide for themselves whether they find Last Tango in Paris to be a valuable piece of cinema or not.